There was a moment, breathless, rushing as the air parted. A meteoric ascension towards one small spark from amid the screaming inferno looming above, detached and blank before convergence. Nightmares wandered through the labyrinth; grasped, captured, victims dragged away trying to escape the needles and machines. Strapped them to tables in sterile rooms behind bolted steel.
They were pleased. A mistake had been corrected, and one of their more elusive subjects was within their grasp. Ten years of carnage ended . An accusation. There are many kinds of monsters out there. None better or worse than others, just more self-aware.
"I don't -" Feeble denial, spoken in tandem.
" Yes you do. I know you do ." Painful truth, haunted by the past. They could wake up from nightmares, but not from reality. Not from what they were and what they'd become.
Then she was River again, standing in the cold harsh-lit parallel. Outside they were planning, and waiting, as the lounge function demanded. She had to hurry. Prove them all wrong. They'd saved the dawn rose from the frost, and this time the spindle would wake her. She settled on the perch like a little bird and whispered in sleeping beauty's ear. "I'm going to tell you a story," she whispered.
- - - - -
Inara was lost. The abyss crushed around her so she couldn't breathe, couldn't speak. She was abandoned and alone, hostage to her fears. Sinister shapes hovered at the edges of her sight, and her only company was a repetitive echo, dripping water and a rhythmic beating rendered in electronics like a measure of her life.
" It's a fairy tale ," said the voice. " Because I'm -" A terrible piercing screech rose to drown out the explanation, like feedback from over the cortex, and a girl fluctuating between an alarming mix of children's laughter and sobbing.
" River ?" The thought filled the space around her like a shout. The air
There are *so* many things going on in this chapter--it's very rich with symbolism and foreshadowing. Every time I read it, I'm seeing more. I especially like the Beauty and the Beast references and their conflation with Sleeping Beauty: both the prince and the princess need saving. Loved Zoe's recollections of Mal in the war; builds more backstory. The many references to Reavers are very disturbing.
"You can't take the sky from me!"
In all honesty Snow White would have been the better reference, though I'd have to use apples to wake Inara up as a subversion, and with Mal that symbolism might have become more explosive than I really needed.
I guess I just couldn't resist throwing roses in there.
As for Zoe's recollections, this was my attempt to reconcile how optimistic Mal seems in the war and magnetic and friendly, with how kind of disturbing it is to be all that several years into a vicious and bloody war. I suspect that most of it was keeping up an act for his troops so that they had some way to cope with the stress, and that Mal never broke character until they lost. But I also can't rule out that he was trying to deal with some stuff of his own and maybe he was just a little crazy then too.
Very insightful dream sequence, is River trying to bridge Mal and Inara?
Platonist: River has been implanting a lot of ideas with these dreams, and that will be very important in chapters to come. But this time there's a lot of information that's very immediate, things Inara needs to know about what Mal has been through that even he doesn't always acknowledge, and also a connection to his fears and what he's currently going through. So yeah.
Ali: yep, some scariness. We still have some chapters to go, so I can't promise a resolution by next chapter.
There's some hints already what's happening to Mal and what's being done to him, but we'll see eventually how bad he is.
There's actually a lot of facts in here, since a lot of it is symbolic foreshadowing. Thanks be to River for her ability to turn nice dreams into nightmares. But, the nightmares are important, and River being eerie is in her nature, so that's probably just inevitable.
River was plenty weird, but at least then her weirdness was mostly play with no connection to reality.
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