Talk Story

Let's Talk About Literature.... Anyone?

POSTED BY: Mattie
UPDATED: Friday, March 10, 2006 18:40
VIEWED: 9023
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Friday, March 3, 2006 7:30 PM

Quote:

Originally posted by Mattie:
Do I make sense, or do you totally reject my logic?

Wacky fun!



I certainly don't reject your logic.
The writings of Sartre are interesting works, but i don't subscribe to all of his philosophy except maybe on a really down day...like i tried to point out, existentialism can leave you in a dark and lonely place. And, while deep down, on a basic level, i may fully believe in the "useless passion" of human life, i must also believe that the inherent nature of mankind is to make our existance in this life better and more meaningful, regardless of the seemingly malevolent forces that seem to be amassing against rational and independent thought.

Back to the series - i do see some of Sartre's influence on the character of Mal. His fierce independence and realization that ultimately we are each responsible for our own actions correlates with Sartre's insistance that the only foundation for values is human freedom.



...and we all shine on...

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Saturday, March 4, 2006 3:13 AM

Quote:

Originally posted by davec5:
...And, while deep down, on a basic level, i may fully believe in the "useless passion" of human life, i must also believe that the inherent nature of mankind is to make our existance in this life better and more meaningful, regardless of the seemingly malevolent forces that seem to be amassing against rational and independent thought.



Fantastic! I like your thinking. It definetly rings of Humanism. I'm taking some Renaissance Art History classes this semester, and that idea of taking the past, mingling it with the present, and creating something new, exiting, and especially important for future generations is, as I'm sure you can understand, a HUGE part of that. I think of Michelangelo and his sculpture The David. He was a genius. He mixed the feel of the ancient with the gist of the international style and created something that so many people look back on today.

It is interesting to me to think that Joss did not decide to depict an idealized future. It's paradoxical in that, by creating a world that so closely resembles our own, we are able to find idealistic traits in it--the fact that we call the main characters our Big Damn Heroes.

I digress, though.
Quote:

...i do see some of Sartre's influence on the character of Mal. His fierce independence and realization that ultimately we are each responsible for our own actions correlates with Sartre's insistance that the only foundation for values is human freedom.


I like this idea. I think I'll support it by pointing out a scene in "Out of Gas". Mal has just bought the ship and is showing it off to Zoe. He tells her that the ship is freedom. You see the dreamy look that comes across both of their faces. In the Serenity they escape from the cage that the Alliance has put around the Universe. So much of what Mal values is based on that person's or object's relation to Serenity. The things which values certainly seem to come from what he sees as his source of freedom.

I just had another thought, but I lost it! Oh, well. And this post is getting long, anyway.

Oh, oh, oh. The name of the ship and it's relation to the Battle of Serenity Valley... Why does Mal choose to name his haven after a place and time that represents when he lost everything? Hum...


Wacky fun!

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Saturday, March 4, 2006 3:22 AM

Quote:

Originally posted by werealljustfloating:
I had to write an essay at the end and I chose to tie it in with that Freud essay and focus it on the use of vampires in fiction as a metaphor for the dark side of human nature.(that was the gist of it I think, it was a few years ago and I haven't reread it or anything) But I loved being able to tie all these various stories together using the idea of the uncanny. I even managed to throw in a Buffy reference somewhere!



Isn't it a fantastic feeling when you can relate something that seems so dry as Freud to something you're so passionate about? It makes the subject come to life, and it has the tendency to make me dig deeper and look for more connections.

Quote:


As far as I remember I think I focused on Freud's idea of "the return of the repressed"- which you could definitley point out as a major theme in the BDM. River, being psychic, gleams the truth of what happened to the people of Miranda, and is subsequently tormented by the knowledge until she is triggered and finally leads Mal and co. to the planet to uncover the horror that lies there. Only then can she function somewhat normally. Even within the story of the Pax and the Reavers themselves you can find the same theme: namely that the Alliance, in trying to eliminate natural human aggression, merely stifle it, pushing it down in a sense, only for it to resurface in the horrific form of the Reavers.

BTW I don't think there's any coincidence in the the parallel between River's name and that of the Reavers - that Joss is a smart one afterall!



"Only then can she function somewhat normally". Heh, psychoanalasys doesn't solve all of the problems, does it? I don't think anyone or anything can. I like your connection! Can I just splurge for a second and say that I talked with one of my professors today. In her office she's got a quilt that highlights all of the major English theorists or theories. One of the blocks is titled "Buffyism" and on it is a pic of Sarah Michelle Gellar! So TOTALLY shiny! I'll be so embarassed if she reads this thread--ahh! But it was just SO cool.

Back to the discussion.

Thanks WAJF!

Wacky fun!

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Saturday, March 4, 2006 5:33 PM

Quote:

Originally posted by Mattie:
Quote:

The name of the ship and it's relation to the Battle of Serenity Valley... Why does Mal choose to name his haven after a place and time that represents when he lost everything? Hum...
Wacky fun!



sorry for the delay...i actually do have a job....and am sometimes required to do actual work!....kwong-juh duh

that's a good question....i'm reminded of Mal's line, 'we may have been on the losing side, not sure it was the wrong side...' i think the battle of Serenity Valley plays a large role in the development of Mal's character. After losing the battle, Mal seems determined to win the war (at least HIS war), & naming his boat Serenity is a constant reminder of this ideology, meaning, the last battle may have been lost, but it will never be over. The name is a testament to Mal's independent nature as well as his stubborn reluctance to submit to authority. A common thread in stories that appeal to the champions of the underdog, whether it be a western or science fiction.

Thanks, Mattie for starting this thread. Keep it going....i will be back soon....


...and we all shine on...

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Saturday, March 4, 2006 6:13 PM

As Davec5 says, existentialism does have a certain appeal, it can lead to an unpleasant place. I'm not really one for sugarcoating, of course, but still, I just feel that there's something being left out.

I can't bring myself to hold to either pure materialism or pure idealism. Independently, I've developed a growing belief that the two realms are the same (there are four states of matter, not three: solid, liquid, gas, and plasma. If matter can move between the first three [by freezing, melting, evaporating, condensing, and sublimating], then it logically follows that the fourth state can be reached as well. What is an idea, in a materialist sense, but electrical impulses bouncing between neurons? If matter and energy are somehow linked, doesn't it follow that ideas and thoughts can influence this "physical" world?).

My particular form of "materialism," then, cannot help but include the "non-physical" as we would understand it: forces and influences (and perhaps even consciousnesses) that have no physical body, but can be perceived and function on the physical level. Inevitably, the opposite also becomes possible: physical beings and substances that can function on other levels of being (either akashic, etherial, or astral).

(The old legends of iron being deadly to faerie, and of silver to weres, suddenly become understandable, if not plausible. Of course, one must always ask how these "folktales" originated. Someone, somewhere must have had reason to believe there was something to them.)

This is another conclusion: all lies are true. Lies do not tell themselves, but are told for a reason. There are infinite possible lies, so one must wonder why some are told and retold while others are not. Is there not a truth to a consistent lie that the "real" world (assuming, of course, the existentialist perspective that life/reality is simply random chaos which simply "happens") lacks?

Can lies not become self-fulfilling prophecies, or create a "reality" (as with the Alliance's Miranda secret) distinct from history?

(Why do so many ancient cultures describe refugees from a sunken continent if it could never have existed? Why do so many report seeing lights in the sky when they aren't allowed to exist? Why is there evidence of a world-spanning serpent-worshipping religion when such a thing would not have been possible? Are we to belive that these "lies" simply appeared one day and propagate themselves through random chance and quirks of perception?)

Quote:

Originally posted by davec5:
Outside of Sartre's view that life is an "unhappy consciousness," a "useless passion," much of what Sartre asserts makes sense and counters the dangerous notions of Freud and his ilk. For instance, Sartre emphatically rejects the idea advanced by Freud that certain mental events have unconscious causes. Emotions, he says, are not outside the control of our wills, if one is sad it is because one chooses to be sad; we are responsible for our emotions;

As much as I'm a fan of Sartre, this is where he and I part ways.

I can see his point, that human will can affect emotion, but I'm not sure I agree. What, then, is the purpose of emotion?

Perhaps it's a matter of semantics; drawing a distinction between "emotion" (which is simply a brain's reaction to events) and "passion" (which becomes a part of oneself). This then would be the difference between sadness and the despair that leads one to suicide, or anger and the rage that leads to wanting to kill someone slowly, or fear and crippling phobia, or mere physical attraction and the love that holds people together even beyond any rationality or reproductive imperative.

I am, of course, a romantic, and the reduction of Love to a set of biological imperatives just doesn't seem practical or satisfying. Homosexuality is an obvious but undeniable problem (why love someone you can't breed with?), as is the idea of loving a particular individual (like falling in love with one identical twin, but not the other).

I don't deny that the biological influence

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Saturday, March 4, 2006 8:05 PM

Well I do know one thing- those Reaver reading parties make you read John Updike novels. Reavers truly are bastards.

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Saturday, March 4, 2006 8:12 PM

"I can't bring myself to hold to either pure materialism or pure idealism"

Yeah yeah. Every frickin' body is trying to reproduce Kant's trans-ident without, you know, actually using Kant. You sound like every student I've ever had.

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Sunday, March 5, 2006 4:24 PM

Quote:

Originally posted by Mattie:
Heh, psychoanalasys doesn't solve all of the problems, does it? I don't think anyone or anything can.



Not at all, I merely meant that now that truth that was burning up her brain (as Mal put it in the BDM) won't haunt her in the same way - it's made it's way to the surface. As a result of what the Alliance did to her, I see River, essentially, as a broken person. She'll never be fully recovered from all the horrors they inflicted on her, but now that she's found a home with Simon and the crew of Serenity, she has a chance to heal. I don't think psychoanalysis will be the thing to cure her, but something much more valuable - LOVE!!!

However there's probably plenty of other dangerous secrets locked inside her mind that even she's not conscious of. If we get a sequel I'm sure we'll find out. I think Blue Sun have a vested interest in her that I'd love to see played out in Serenity 2.

RE: Buffy - easliy my favourite show of all time!! It's the reason I discovered Firefly -and I can't overstate it's influence on me. Your professor knows her stuff!


On another note, have any of you read The Killer Angels, the novel that inspired Joss to create Firefly? It's by Michael Shaara, and it won the Pultzer in 1975. I read it out of curiosity, not expecting to enjoy it much as I'm not a fan of military novels. But it was much better than I hoped!! I should have known since it inspired Joss!

It's set in the American Civil War, specifically the Battle of Gettysburg. It only covers about three days, but it manages to draw a really detailed picture of what life must have been like for the men who fought on both sides. There's a lot of different characters to remember but they're all fascinating and Shaara always focuses on their personal experience of war, rather than making sweeping romantic statements about the glory or tragedy of warfare. It's very human and touching and more than once reminded me of Firefly. Reading it made me understand Mal and Zoe's experiences in the war a little better. I recommend it to any Browncoat who enjoys reading.

We're still flying.

That's not much.

It's enough.

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Monday, March 6, 2006 3:44 AM

Quote:

Originally posted by davec5:
sorry for the delay...i actually do have a job....and am sometimes required to do actual work!....kwong-juh duh


Alas! So do I! Gar! S'okay though, I understand.

Quote:


I'm reminded of Mal's line... I think the battle of Serenity Valley plays a large role in the development of Mal's character... A common thread in stories that appeal to the champions of the underdog, whether it be a western or science fiction.



I mentioned paradox earlier, but I'm gonna bring it up again. I found this definition on OED.com.:

Paradox: c. Logic. More fully logical paradox. An argument, based on (apparently) acceptable premisses and using (apparently) valid reasoning, which leads to a conclusion that is against sense, logically unacceptable, or self-contradictory; the conclusion of such an argument. Freq. with a descriptive or eponymous name.

I didn't know what eponymous meant, so here's what I found:

Eponymous: That gives (his) name to anything; said esp. of the mythical personages from whose names the names of places or peoples are reputed to be derived.

Something that does not make sense, and yet it is accepted. Cool.


Wacky fun!

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Monday, March 6, 2006 4:04 AM

I'm working on a response to your response, but I need a little more time. I like this, but I think it requres some thought in order to respond as well as you did.

Wacky fun!

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