THE TRIAL (06)
Part (03)
Follows . Precedes . The series so far: Inara works her contacts; River and Simon do some research; more plotting and scheming. | * * * “We stand the best chance of freeing the Captain if we can prove that the indenture contracts are fake, and better yet if we can find evidence that the people were kidnapped or reported missing from their homes before Serenity ever came to 泥球 Ní Qiú,” Neumann said. “Can’t we just ask the people to give us their histories?” Simon asked. It seemed the obvious question, but both Neumann and Inara seemed to be ignoring it as an option. “They would know best, wouldn’t they, what world they were on when they were kidnapped, how they came to be enslaved? Couldn’t they just attest that they boarded Serenity willingly?” “We could ask them, Simon, if we could talk to them,” Inara replied. “That’s the problem with the Immigration Detention Center. According to Melissa, Immigration throws up every possible barrier to communication. Even family members and the detainees’ lawyers have to apply for access, and it often takes days or weeks for the applications to be processed. And even then, many of the applications are denied. Melissa told me she’d consider herself lucky if she got to meet
Comments and constructive criticism are very much appreciated.
Well, about as much as I'd pay to see a series reboot anyway.
Nice once, finding out that the names on the indentures have been reported dead.
I'm a bit worried Inara's going to become exhausted if she’s taken on more demanding physical clients.
"You can't take the sky from me!"
“Every time I get my hands on something new like this, I just can’t resist—even if it means wearing glasses at a society function.”
Inara would have gladly, easily, resisted the urge to wear glasses at a society function...
Nutluck: If things were to continue in that way with River and Ip, you can bet that Simon and Mal would have something to say about it. I don't think they could help themselves.
Bytemite: I, too, like the notion of trouble landing on Atherton Wing's doorstep. I already have a sketch of a scene where he gets discomfited--but that one's set far, far in the future of my story line, so it may be a while before we see it.
Platonist: Inara is working harder than she ought to be. She should be resting and recovering instead of working the system on Mal's behalf, but she wouldn't be happy if she didn't do what she could to help.
Ali D: I liked writing the scenes with Momsen. He's a walk-on character in Shindig, we just see him for a second, and he doesn't say a word. But I often like to take canon characters who are walk-ons or merely mentioned, and work out who they are and what their motivations are.
As for the plight of the slaves, unfortunately that is the more reality-based part of this story. I've based this vaguely on some discussions I've had with a friend of mine who is a human rights attorney, and has told me some things about slavery in *a real country*--current, not historical. Obviously, my fictional version does not reflect the facts on the ground in any particular real place and time, but I like to think that it is not an entirely unrealistic depiction of some of the issues involved in modern slavery, which most unfortunately is a real problem.
ZoesMom: Writing the scene between Inara and Momsen was a lot of fun. I like those internal eye-rolls that Inara is so good at concealing from her clients.
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