Music II
POSTED BY: dreamtrove
UPDATED: Wednesday, August 26, 2026 21:44
VIEWED: 24520
PAGE 35 of 72
Adjustments to the model were necessary...
The cymbals required a small tweak...
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"I don't find this stuff amusing anymore." ~Paul Simon
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Further revisions to the model...
I think I got it right this time.
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"I don't find this stuff amusing anymore." ~Paul Simon
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Nope...
Pretty sure this is it though.
Those last three "quarter notes" on each 1/3rd of the loop...
I think they've been pulling a bit of a fast one on me with just the smallest amount of overlap.
ETA: Nope... still not quite right.
I'll come back to it.
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"I don't find this stuff amusing anymore." ~Paul Simon
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Got it. 
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"I don't find this stuff amusing anymore." ~Paul Simon
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Solved for Everything.
Oh... and if I didn't make it clear before, the Bass on each line is the same note EXCEPT for the line where the red anchor note comes in. Those .25/.5 breaks are just the bass being broken up in that 1/3rd instead of being full "2" per line/note.
ETA:
Nope...
240 isn't right though...
Too fast.
But 204BMP is too slow.
230 sounds right to me.
Must be that variance of "around 51 seconds...". Because over time it's no longer 51 seconds and I don't have a stopwatch to get anything closer than "1 one thousand, 2 one thousand, 2 one thousand".
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"I don't find this stuff amusing anymore." ~Paul Simon
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My final answer...
"The greatest glory in living lies not in never falling, but in rising every time we fall"
ETA: Did I just invent my own language?
Where's JO. I need his opinion.
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"I don't find this stuff amusing anymore." ~Paul Simon
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I don't know what the hell they're doing to one of my old favs here, but I'm loving it...
OG:
CHIPTUNE/ORCHESTRAL (Probably my favorite, but they're all great):
SYNTHWAVE REMIX:
2A03 + S5B:
That oscilloscope is scratching all the right itches.
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"I don't find this stuff amusing anymore." ~Paul Simon
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A remix from 17 years ago... Like a year or two after YouTube was a thing people did and a channel with only 22 subscribers. Not really my jam and a little too slow for me, but crazy that somebody was making mods to this song like this back in 2008.
This is all just part of history... if somebody documents it all.
And they even put it in a cool looking beat game called "Beat Saber", apparently.
Looks like 3D/VR to me. I'm going to have to get me a rig like that someday soon.
That shit looks sick.
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"I don't find this stuff amusing anymore." ~Paul Simon
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Quote:
Originally posted by 6ixStringJack:
That oscilloscope is scratching all the right itches.
Got my favorite new channel of the week here...
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"I don't find this stuff amusing anymore." ~Paul Simon
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Yeah I remember the Aerosmith Boogie Man I had not really heard it before, I think it was somehwat normal even though it was 'exotic' it was like 'E Minor' but a lot of strange stuff going on like minor 2nd interval or Minor Ninth note, but it still wasnt Micro-Tonal according to my definition or the defintions of others who talk msic theory. Even if you bend a note on guitar or use one of those pitch wheels on electric piano that isn't really Microtonal its more like a Psuedo attempt at making a Microtonal Sound. If I remmeber it had minor second intervals but also very slow long notes that let you mediate on the minor elements or Devils Tritone or mixes of seventh Major and Minor Seventh, the Major and Minor Third, the dissonant note or augmented note. For example the Harmonic Minor scale or some Blues can also sound very 'Exotic' or almost Balkan with Tritones or the Haiti Voodoo Blues eventually going to Rock music, the Harmonic Minor from the East going to Classical Music. These others scales Harmonic Minor, Phrygian, Blues, Mixolydian, Dorian etc are still very music 'Western' scales of twelve tone equal temperament, or equal division of the octave, the chords or scale you build on them fit perfect to the frets on Guitar or the notes on Piano. When you take a note outside your normal key it is often called 'Chromatic' but it can be still described by Western music theory as it is a normal note on your guitar or piano, even if you cluster notes together like Blues and use large jumps it can still be described by Western theory. Another trick I think the song used is it had modulation or key change for example in 'D' key you have D E Fsharp G A B Csharp and a high 'd' note and if you move to a 'G' which is G A B C D E Fsharp and high 'g' it doesnt really jar but it still sounds ok but a big strange or surprising with that one note change, you could call it modulation or key change. The same for going fom a F scale F G A Bflat C D E F to a Bflat Major Bflat C D Eflat F G A and a high 'b flat' the notes are almost the same but a single note change can surprise the listener, you can modulate from anything Dorian, Phrygian or Minor or throw in a strange chromatic note but it is still not really a microtone.
You can throw almost any arpeggio or chords next to each otehr and it can still be described by Western music theories. There are also bands that throw chords together because they just 'sound good' or nice or scary or jazz it up or do something weird and classical but even that can be described by Western Theory, for example strange Tritone substitutions replace a chord with another dominant chord a tritone away, like a Spanish song you can throw in a chord from outside the key use another 'mode' the Classical music pieces often blend 3 scales the Natural minor the Medolic Minor the Harmonic Minor and even use Key changes and Chromatic notes but that's all still described by Western theory, its not microtones. When using a strange chord or straneg note in place of another in a normal progression of chords, that wouldn't be 'microtone' it would just be described by 'Chromatic' or modulated key change or 'Passing Chord' or Chord substitution its been going on for a while since J. S. Bach times.
even the really weird exotic Western experiment stuff can often be described by Western theory or the 'Circle of Fifths'
You might however get weird harmonics going on when you blend a wall of sound
the smallest jump in Western music 99.999% of the time its a half tone, even in the strange music. but for every rule there are exceptions... Now you do still have people who do micortone stuff, a guy playing an old Greek instrument or for example barbershop quartet vocal ensemble consisting of singers they will often tune to themselves naturally creating a microtone outside of Western music a note slightly flat or slightly sharp characterized by close, four-part harmony or a guy exp
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