The scoop on "I, Robot": Reviews

POSTED BY: HawkMoth
UPDATED: Thursday, July 15, 2004 22:35
VIEWED: 3097
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HAWKMOTH

Thursday, July 15, 2004 1:36 PM

I just read an early review of the movie, and was pleasantly surprised by the positive reaction. (Yes, I'm one of those people who was sort of dreading the film, being an Asimov/SF fan from way back.) The only reason I had even considered for seeing it was for our BDH Alan Tudyk.

So I thought it would be interesting if we posted links to any reveiws we come across, especially ones that include mention of Alan and his pivotal part in the movie.

If you mention specifics, it might be a good idea to include spoiler space, and of course, keep in my mind that some reviews could be considered spoilery.

As of now, I'm feeling slightly more enthusiastic about seeing the movie--still mainly for Alan!

First up (not yet available online) is Jack Garner's review (from my local paper via Gannett News Service). Garner calls the movie a "phenomenal sci-fi flick," giving it 3 1/2 stars out of 4.

His mention of Alan:

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"From the expressive emotions in Sonny (the main robot played by Alan Tudyk) to a sequence in which scores of robots -------- , 'I, Robot' is a visual stunner."

Available online at ttp://metromix.chicagotribune.com/movies/mmx-040715-movies-review-mw-irobot.story is Michael Wiiligham's review, 3 out of 4 stars, and this description of Alan's performance:

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"...robot Sonny, whose gentle demeanor masks Bruce Lee-style martial skills and whose whimsical C-3PO-like responses are delightfully voiced and modeled by the human actor Alan Tudyk."

Yea, Alan!

Next?

KMINFINITY

Thursday, July 15, 2004 3:19 PM

A review of SF movies in general, and "I, Robot" in particular...

http://www.calendarlive.com/cl-et-beale14jul14,1,7946611.story
BOOKS & FILM

A sci-fi shy Hollywood

Far-out literature, even the classics of the genre, often gets lost in a
cinematic black hole, even though galactic films are loved.
By Lewis Beale
Special to The Times

Jul 14 2004

It's not as if "I, Robot" had "cinematic" written all over it. First
published in 1950, Isaac Asimov's classic science fiction novel is a series
of interlocking short stories about the development of robot technology and
the nuances of the Three Laws of Robotics, the rules governing robot
behavior. It's visionary, to be sure, but also talky and clumsily written.

So when the film version of "I, Robot" opens Friday, don't be surprised if,
other than a reliance on the Three Laws as a plot device (the First Law says
a robot can't harm a human or, through inaction, allow a human to come to
harm), the story bears little resemblance to Asimov's work. The film, which
stars Will Smith as a detective investigating a murder that may have been
committed by a robot, simply "takes its inspiration from Isaac Asimov's
vision of a robotic future," says co-producer John Davis.

In other words, Hollywood loves science fiction movies, but it's seriously
conflicted about science fiction books.

Of the 51 novels that have won the Hugo Award, science fiction's highest,
only two - "Dune" and "Starship Troopers" - have ever been filmed, to mixed
results. And even though 15 of the 25 top-grossing films of all time are
works of fantasy or science fiction, just seven of them are based on
previously published material (five of those are either "Lord of the Rings"
or "Harry Potter" titles, the others are "Spider-Man" and "Jurassic Park").

Still out there in limbo, either not optioned or in a development stalemate
that has lasted for decades, are classics like Robert Heinlein's "Stranger
in a Strange Land," Ursula K. Le Guin's "The Left Hand of Darkness," Orson
Scott Card's "Ender's Game," Arthur C. Clarke's "Childhood's End" and
William Gibson's "Neuromancer."

"I don't think Hollywood thinks of print science fiction" when it looks for
properties, says Patrick Neilsen Hayden, a senior editor at Tor Books, a
major publisher of science fiction and fantasy titles. "Hollywood is a
machine that reaches out into the culture to determine what's hot and what
they can mass market. They don't think of print science fiction at all,
because they're not tuned to that level of discrimination."

Well, sometimes they are. Certainly, Ray Bradbury has long been a cinematic
favorite. Films have been made of "The Illustrated Man," "Something Wicked
This Way Comes" and "Fahrenheit 451," and a remake of the latter is in the
works, with Frank Darabont ("The Shawshank Redemption") set to direct.

Then there's Philip K. Dick, the current "it" boy of sci-fi (even though he
died in 1982), whose obsessive novels and short stories about the nature of
consciousness have been the basis for "Blade Runner," "Total Recall,"
"Minority Report" and other films. "A Scanner Darkly," the latest Dick
adaptation, starring Keanu Reeves and directed by Richard Linklater,
recently finished production and is tentatively set for a fall 2005 release.

Dick's current popularity, says author Greg Bear, stems from the fact that
most of his works are set in the present or near future, so "they're not
that expensive to make and the ideas are about paranoia and loss of self,
which have always been a Hollywood staple."

But Bradbury and Dick are simply planetoids in a very large literary
universe. When it comes to sci-fi projects, the studios seem to prefer
original visions like "The Matrix" or "Star Wars," comic book adaptations or
films based on popular video games. Literature is sucked into a black hole.
And the reasons for this have as much to do with the perils of adapting any
written material as they do the particularities of the science fiction
genre.

Novels too complex?

MAUGWAI

Thursday, July 15, 2004 4:13 PM

There's also an interesting interview with Alex Proyas here:
http://www.chud.com/news/july04/july13proyas.php3

It mentions how Alan was chosen and the decision to change the title. There are some minor spoilers, but it really speaks to some of the concerns brought up in recent posts.

"Dear diary, today I was pompous and my sister was crazy."

BLEYDDYN

Thursday, July 15, 2004 5:24 PM

Quote:
Adds Tor Books' Hayden: "...The quality of stories that Hollywood has tried to screw up recently has improved considerably."

That was just absolutely priceless!

--Bleyddyn

HAWKMOTH

Thursday, July 15, 2004 10:35 PM

OK, here's the link to Entertainment Weekly's review: a little less favorable and full of lots of details. I can't find the letter grade.

http://www.ew.com/ew/onlyonaol/article/review/movie/0,17129,663782_1||
525488_0_,00.html

Specifically about Alan:

Select to view spoiler:

Physically, Sonny is identical to the other NS-5s, except that there's an authentic play of personality upon his finely angled nose and thin lips, the sad blue gems that are his eyes. His voice is supplied by Alan Tudyk (who was also the model for the character's physiognomy), and the actor speaks in a vaguely British, disarmingly calm and cultivated singsong that makes him sound like the love child of HAL and Julie Andrews. Sonny is easily the most charming thing in ''I, Robot,'' yet for all the supposed amazement of his expressions, he still looks like a talking mask shot with Botox, and he's not all that vividly written a character. No one in the movie is.

(Apologies for not using the spoiler codes earlier!)