Firefly vs BSG Nielsen Ratings... What the FRAK?!
POSTED BY: Penthos
UPDATED: Wednesday, May 14, 2008 05:55
VIEWED: 8736
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Yeah, the ratings comparisons are pointless. SciFi considers a 2.0 share a pretty big success, whereas that'd be a huge flop on network TV.
As for the budget on BSG Razor - I don't know any figures, but it was included in their 4th season order, and production-wise, was amde as 2 episodes, so it wasn't like they got a seperate budget for it. The whole season likely costs a fair bit less than Serenity.
"I thoroughly disapprove of duels. If a man should challenge me, I would take him kindly and forgivingly by the hand and lead him to a quiet place and kill him."
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Quote:
Originally posted by Storymark:
Yeah, the ratings comparisons are pointless. SciFi considers a 2.0 share a pretty big success, whereas that'd be a huge flop on network TV.
Obviously Broadcast and Cable don't have the same size markets. But my understanding is that the ratings are relative to the number of viewers in each total market (Broadcast and Cable). So if a show can get a 2.8 rating in the Broadcast market then it should be able to get 2.8 in the cable market. Which would indeed be a a big success for SciFi considering BSG is around 1.5s and they are spinning off a prequel.
Now, all that being said; it is possible that my understanding of how the rating system works is wrong, in which case my conclusion that Firefly would have better ratings than BSG on SciFi could be wrong as well. So if you know better, please correct me by explaining how it really works.
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Mal: Everyone always does; that's what makes us special.
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I don't know if they adjust the ratings relative to their market or not. All I know is, SciFi considers a 2.0 pretty decent. And the networks cancell a show with that rating in a heartbeat.
I wouldn't doubt that Firefly had better ratings than BSG, but it was certainly measured against a different standard. It was also likely much more expensive, since it had a fair bit of location shooting, and was shot in California. BSG is shot in Vancouver, which tends to be much cheaper.
"I thoroughly disapprove of duels. If a man should challenge me, I would take him kindly and forgivingly by the hand and lead him to a quiet place and kill him."
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The ratings for Battlestar aren't great for a specialty cable network like Sci-Fi, but it's acceptable. Battlestar is a critical success, which can't be said for most of their other series, or any of their so called "original" movies.
One other thing to consider, is that Battlestar's cost is shared somewhat with Canada's Sky network, and with foreign sales.
Firefly was on a major network that expected much higher ratings, and wasn't behind the series from the start.
I'm sure Sci-Fi might have considered Firefly, but I'm betting Fox studios (not to be confused with FOX), wanted too much for the series.
Unfortunately, Fox studios still has series production rights, and Universal (who owns the Sci-Fi network), only has movie rights. I would love to see some "made for TV" Firefly movies on Sci-Fi. They would certainly be FAR better than any of the crap movies they show now, but I doubt Universal has the rights to make "made for TV" movies. They might have "direct to DVD" movie rights, but that might not be cost effective enough for them to green light.
I'd given some thought to movin' off the edge -- not an ideal location -- thinkin' a place in the middle.
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And, SciFi gets a piece of the BSG DVD sales, which would not be the case if they were to pick up Firefly. So there is little upside for them, financially, in funding new episodes.
"I thoroughly disapprove of duels. If a man should challenge me, I would take him kindly and forgivingly by the hand and lead him to a quiet place and kill him."
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You're also skipping over a MAJOR factor: the economy is better now than when Firefly was broadcast.
Advertising sales went soft in early 2001, and after 9/11/2001 they went absolutely comatose for an entire year. While the economy is very soft at the moment there are many more advertising dollars flying around than there were when Firefly was on the air.
No revenue = broadcast execs in a panic
broadcast execs in a panic = shows on the edge getting cut
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Hey there fellow browncoats, I agree with MacBaker for the most part.
I agree that Sci-Fi has some challenges when it comes to their "original" movie series (Tinman), but there are other factors involved, as he so rightly stated.
But consider this: Because of Fox's rights to FF's TV production, and subsequent DVD sales, there is a strong possibility that we may never see our heroes fly again, at least not in a TV series. And, here's the kicker, Fox's interest became super-keen when they saw the TV series DVD sales go through the roof. They merely did that in a last ditch effort to make some money from the "flop." Hence the new and improved version in Blu-Ray. Fox execs are wringing their collective hands at the continued success of this phenomenon.
Does anyone get the feeling that we shot ourselves in the foot? (Quaint!!!)
Also consider JW's relationship with the people at Fox and that of NBC Universal. Which do you think would fly? We have a better chance of another movie, because Universal, our only BIG MONEY supporter, believes in JW and FF. Of course we didn't get $100M like Ironman did to go make our BDM (I read somewhere that our budget was about $40M), but why quibble over a mere $60M? Could it have made a difference? By the way, Fox has placed the entire TV series on Hulu.com under the banner Classic TV series (how's that for irony).
By the way #2: The Nielsen ratings merely reports who watching what and when. The TV moguls at both Cable and Broadcast take that info and say can we make money from this by charging our advertisers to air their commercials (hence $2M for a Super Bowl ad). Cable has fewer viewers than broadcast, so the numbers mean something different to each one. If you have a 2 ratings point in broadcast from 70M viewers as opposed to 30M viewers, well then that would be different, wouldn't it?
My suggestion is this: Let both Fox and Universal throw in, let's say, $50M each to produce a 6 part FF miniseries that would air on both Fox and Sci-Fi (then on the internet via Hulu); then go to DVD sales. It would be unprecedented (oh the possibilities!) They would share in the revenue (Cha ching!) and we'd all win. We would get our BDH, the actors would get to have fun with JW and friends and the moguls would get to count their money to their greedy little hearts content (the DVD sales alone would probably more than pay for the production). Just a thought!
"When did this stop being fun?"
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SGG:
Fox studios and Universal cooperating. BRILLIANT! Together they could produce something to be proud of and make a ****pot full of money. How I wish they could do it.
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Amen! If Sci-fi original movies were animals, I'd pollute their habitats and hunt them to extinction.
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There's a widow in sleepy Chester
Who weeps for her only son;
There's a grave on the Pabeng River,
A grave that the Burmans shun;
And there's Subadar Prag Tewarri
Who tells how the work was done.
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Quote:
Originally posted by Penthos:
Obviously Broadcast and Cable don't have the same size markets. But my understanding is that the ratings are relative to the number of viewers in each total market (Broadcast and Cable). So if a show can get a 2.8 rating in the Broadcast market then it should be able to get 2.8 in the cable market. Which would indeed be a a big success for SciFi considering BSG is around 1.5s and they are spinning off a prequel.
Now, all that being said; it is possible that my understanding of how the rating system works is wrong, in which case my conclusion that Firefly would have better ratings than BSG on SciFi could be wrong as well. So if you know better, please correct me by explaining how it really works.
Read the footnotes over on the Nielsen webpage ( www.nielsenmedia.com) for both the broadcast and cable ratings. In each case, it indicates that one point represents 1,128,000 households and is based on the universe of television households. So no, the figures aren't relative to market size.
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