Ahh, Mal...
POSTED BY: mysterymeals
UPDATED: Sunday, October 18, 2009 19:52
VIEWED: 21049
PAGE 6 of 8
"Haven't you killed me enough for one day?"
__________________________
Have you ever wondered why in a dream you can touch a falling sky?
Or fly to the heavens that watch over you?
"I am a leaf on the wind, watch how I soar."
A man is least himself when he speaks in his own person. Give him a mask and he will show you his true self.
You can't take the sky from me...
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"Well, lady I must say,
you're my kinda stupid."
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Mal: You wanna run this ship?
Jayne: *indignantly* Yes.
Mal: Well...you can't.
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An early favorite, forgotten until now;
"Well now. That has an effect on the
landscape."
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....i dont remember that quote. what ep's it from?
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Quote:
Originally posted by freelancertex:
....i dont remember that quote. what ep's it from?
If referring to "Well now, that has an effect on the landscape" it is from Pilot, when Dobson has Mal's hands up, then Simon's, and Mal goes to pick up his gun "is there a reward (for Simon)?", Dobson gives him the "backbirth" line, saying Mal is culpable and Dobson does not think they are really delivering Alliance supplies to Whitefall.
When Mal understands that Dobson will hand them over to the Alliance along with Simon, this line comes.
This is just before Kaylee is shot.
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huh....i totally dont remember that. how did i miss that?
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See how I'm not punching him? I think I've grown.
How come there's a guy on board and how come you're all of a sudden the ship?
Everybody dies alone.
"Well, my days of not taking you seriously are certainly coming to a middle."
http://whimsicalnbrainpan.blogspot.com/
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Chow's in ten, no need to dress.
Jayne: Testing, testing. Captain, can you hear me?
Mal: I'm standin right here.
Jayne: You're comin' in good an' loud.
Mal: Cuz I'm standing right here.
I just love the tone in his voice when he says that, how he's paying almost no attention to Jayne and doesn't seem to care at all :-P
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As I mentioned, this line caught me on first viewing...and then "forgotten 'till now"...
Some of Mozart's contemporaries commented, sorta whining/complaining with jealousy - that he was TOO full of great musical ideas, and used them too liberally, to the effect that one great idea was barely digested before another & another was introduced... perhaps this could be said of the prodigious font of great dialog that Whedon/Minnear
proved themselves to be to us astute fans!
After now watching the series at least 8 - 10 times each, I am still astounded at how much detail and nuance still is revealed each time. All Hail the BDH!
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