Cinema

2025 Wide Release Prediction Game Thread

POSTED BY: 6ixStringJack
UPDATED: Tuesday, April 28, 2026 17:16
VIEWED: 30539
PAGE 52 of 53

Friday, February 27, 2026 8:04 AM

Quote:

Originally posted by 6ixStringJack:

That's not what woke is.

You are an idiot.

--------------------------------------------------

Be Evil. Be a dick.

Isn't the non-woke Trumptard wife supposed to accept her husband's adultery? Melania did! The Women's Movement and the MeToo Movement were all about kicking the shit out of men who have depraved sex lives. (Don't forget the Epstein Files!) Since when is cinematically killing your cheating, lying husband NOT woke?

The Joss Whedon script for Serenity, where Wash lives, is Serenity-190pages.pdf at https://www.mediafire.com/two

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Friday, February 27, 2026 8:04 AM

NEW reason to NOT see movies in the theater:

AMC's New Seat-Pricing Plan Is Totally Wrong

Even Nicole Kidman is struggling to find the magic in the AMC theater experience at this point.

By Josh Rosenberg Published: Feb 26, 2026 1:34 PM EST

https://www.esquire.com/entertainment/movies/a70516325/amc-theaters-me
mber-seat-price-plan-controversy


Three years ago, AMC theaters announced one of the company’s worst ideas of all time. The proposed system, called “Sightline pricing,” raised ticket prices only for the best seats in the auditorium—the ones right in the center of the movie theater. Naturally, the idea was met with the sheer derision that it deserved. Everyone hated it, and AMC cancelled the idea within a few months.

"What if movie theaters worked like airplanes?" was certainly a pitch that would eventually find a way to seat the lower-income theatergoers by the bathroom, or worse. But I only called Sightline pricing one of AMC’s worst ideas of all time because the theater chain just came up with a new plan so terrible that Nicole Kidman couldn't even tell us where the magic of the AMC theater experience went now.

According to AMC CEO Adam Aron, the best seats in the house won’t even be available for purchase anymore unless you’re an A-List or Stubs Premiere member. Forget higher fees—that child’s play. Now, if you don’t cough up $19.99-27.99 (per month!) to become an AMC member, you won’t even have access to those seats at all.

... What?!

Maybe I’m misunderstanding what AMC is suggesting here. Surely, the company wouldn’t seek to punish the average movie-goer by making non-members feel like second-class citizens, right? There’s no way the theater chain that allows members to skip the popcorn line like TSA PreCheck would make everyone else who can’t afford the monthly fees feel even worse for simply wanting to grab their kids some snacks before Bluey: The Movie starts, would they? Let’s hear exactly how Aron described it.

“AMC will introduce preferred premier seating, where we will block and reserve the best seats in the house in our theaters to be accessed first by our A-List and our Stubs Premiere members—that’s the two VIP tiers within our Stubs program—at no added charge,” the AMC CEO said during an earning’s call on Tuesday. “At AMC, we will assure that the best seats in our auditoriums are [held]—at first, anyway—for our best customers. We think it will be a considerable consumer benefit that our most frequent guests will notice and greatly appreciate, further cementing their brand loyalty to AMC.”

No, sadly I heard him right. It’s just as terrible as it sounds.

Nicole Kidman | AMC Theatres | That's Magic



We Make Movies Worse



The Joss Whedon script for Serenity, where Wash lives, is Serenity-190pages.pdf at https://www.mediafire.com/two

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Friday, February 27, 2026 8:29 AM

Quote:

Originally posted by second:
Quote:

Originally posted by 6ixStringJack:
You been paying attention at all to The Housemaid?

Nobody wants to see woke bullshit anymore, but put Sydney Sweeney in a decent movie that people actually want to see and look what happens.

It's just about done now, but in 60 days it's made $361 Million worldwide on a $35 Million budget.

There's no way I'm going back and tracking it like I did back in '23, but I think you'll be pretty hard-pressed to come up with a top 5 list of movies who made back more than 10x their BP like The Housemaid did.

https://www.the-numbers.com/movie/Housemaid-The-(2025)#tab=box-office

--------------------------------------------------

Be Evil. Be a dick.

The whole plot is woke -- about killing an adulterous husband. In The Housemaid, the Husband is murdered after he reveals what a scumbag he is. Complications ensue because the Husband also commits adultery with the Housemaid, but then the two women eventually agree to murder him, together, rather than live with him. You CANNOT get more WOKE than that! It is a sly way to insinuate that Trump needs to be murdered, since he has committed adultery in every marriage. Imagine a prostitute and a wife agreeing to kill Trump. That is the movie.

The Joss Whedon script for Serenity, where Wash lives, is Serenity-190pages.pdf at https://www.mediafire.com/two



That's not what woke is.

You are an idiot.

--------------------------------------------------

Be Nice. Don't be a dick.

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Friday, February 27, 2026 7:20 PM

Quote:

Originally posted by 6ixStringJack:

That's not what woke is.

You are an idiot.

--------------------------------------------------

Be Evil. Be a dick.

Key Aspect of "Woke"
Modern Usage (Negative/Pejorative): Used by critics to describe what they perceive as performative activism, extreme political correctness, or "cancel culture".

In the movie Housemaid, the housemaid and the housewife kill the philandering husband. The movie could have the housemaid and housewife make picket signs with rude messages about the husband, but killing hubby is a more cinematic version of "cancel culture". What is cancel culture? Cancel culture refers to the widespread, community-driven practice of withdrawing support (or "canceling") for public figures, companies, or individuals after they have done or said something deemed objectionable, offensive, or immoral. Hollywood loves the counterintuitive idea of vigilante justice (killing hubby) to protest hubby's immoral acts, making the movie simultaneously woke and entertaining to women who have bad husbands.

The Joss Whedon script for Serenity, where Wash lives, is Serenity-190pages.pdf at https://www.mediafire.com/two

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Friday, February 27, 2026 8:50 PM

Quote:

Originally posted by second:
Quote:

Originally posted by 6ixStringJack:
You been paying attention at all to The Housemaid?

Nobody wants to see woke bullshit anymore, but put Sydney Sweeney in a decent movie that people actually want to see and look what happens.

It's just about done now, but in 60 days it's made $361 Million worldwide on a $35 Million budget.

There's no way I'm going back and tracking it like I did back in '23, but I think you'll be pretty hard-pressed to come up with a top 5 list of movies who made back more than 10x their BP like The Housemaid did.

https://www.the-numbers.com/movie/Housemaid-The-(2025)#tab=box-office

--------------------------------------------------

Be Evil. Be a dick.

The whole plot is woke -- about killing an adulterous husband. In The Housemaid, the Husband is murdered after he reveals what a scumbag he is. Complications ensue because the Husband also commits adultery with the Housemaid, but then the two women eventually agree to murder him, together, rather than live with him. You CANNOT get more WOKE than that! It is a sly way to insinuate that Trump needs to be murdered, since he has committed adultery in every marriage. Imagine a prostitute and a wife agreeing to kill Trump. That is the movie.

The Joss Whedon script for Serenity, where Wash lives, is Serenity-190pages.pdf at https://www.mediafire.com/two



That's not what woke is.

You are an idiot.

--------------------------------------------------

Be Nice. Don't be a dick.

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Saturday, February 28, 2026 5:53 PM

I’ve seen the future of cinema and it’s in ruins

Paramount’s looming takeover of Warner Bros will give us nothing but blockbuster slop

By Robbie Collin | Feb 28, 2026

https://www.msn.com/en-us/movies/news/i-ve-seen-the-future-of-cinema-a
nd-it-s-in-ruins/ar-AA1XfvrW


A traditional studio spreads risk across multiple titles, and the hits compensate for the flops. But this is film releasing with a tech-like mindset in which all risk is minimized – and real creativity with it. For proof, simply count up Paramount’s Oscar nominations this year. Or rather don’t count them, because they’re the only studio that got zero.

When you treat cinema like the entertainment equivalent of the iPhone – every franchise offers iteration after iteration of the same tired old product, finessed just enough to keep the suckers queuing – only shareholders are being well-served. If a studio’s merely one asset among many in a corporate portfolio, it’s unlikely to try making another Titanic any time soon.

When Disney acquired 20th Century Fox for $71.3bn at the end of the last decade, assurances were made that both studios would keep plugging away much the same as before, but what actually happened was the rebranded Fox, now known as 20th Century Pictures, raided its own back catalogue for remake material. So we got more Avatar, Alien, Predator and Planet of the Apes.

Traditionally in Hollywood, the power was wielded by the so-called Majors – Universal, Warner Bros, Disney, Sony and Paramount, plus Fox and MGM before their respective absorptions. Yet there were enough of them to generate the sort of multi-directional cut-and-thrust that made taking regular creative big swings not just commendable, but necessary. But if you don’t have competitors, there’s no reason to compete. What the merger brings us closer to is an age of popular cinema as endless content churn: two or three conglomerates cycling through their respective IP hoards.

Imagine it’s the summer of 2029. You decide to go to the cinema, and there are two choices on offer. Both have been made to appeal to the broadest global audience imaginable, and both are essentially just updated versions of films you saw in the summer of 2027. Whether you see one, both or neither, the cumulative good to your soul will be nil.

The Joss Whedon script for Serenity, where Wash lives, is Serenity-190pages.pdf at https://www.mediafire.com/two

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Saturday, February 28, 2026 10:25 PM

I'll bet old Robbie was just jacking off and fawning over all the trash your people have put into the theaters the last 12 years though, right?

--------------------------------------------------

Be Nice. Don't be a dick.

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Sunday, March 1, 2026 4:42 AM

Quote:

Originally posted by 6ixStringJack:
I'll bet old Robbie was just jacking off and fawning over all the trash your people have put into the theaters the last 12 years though, right?

--------------------------------------------------

Be Evil. Be a dick.

You are wrong about Robbie. Robbie Collin has been a film critic for 20 years, during which time his reviews have seen him temporarily blacklisted by two major studios, dressed down in front of a Bafta committee, and thrown off a yacht. Perhaps the massive entertainment corporations were angered by Robbie's reviews of their drek?

You can sample Robbie Collin's many movie reviews. For example, he loathed Avatar: Fire and Ash, giving it one star out of a possible five stars, describing it as like watching £300 million of glitter tipped into a fish tank. The mind-numbing third film in James Cameron’s mega-franchise proves he’s stuck in a creative cul-de-sac.
Robbie Collin
19 Dec 2025, 8:44am
https://www.telegraph.co.uk/authors/r/rk-ro/robbie-collin/page-2/

Another one-star review from Robbie is Tron: Ares, which is so bad it makes you wish AI would hurry up and destroy Hollywood. A shambolic film populated by some of the most aggressively charmless characters ever seen in a blockbuster.
Robbie Collin 10 Oct 2025, 2:42pm
Jared Leto plays Ares, a sort of Byronic philosopher-ninja

The Joss Whedon script for Serenity, where Wash lives, is Serenity-190pages.pdf at https://www.mediafire.com/two

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Sunday, March 1, 2026 4:52 AM

Quote:

Originally posted by second:
Quote:

Originally posted by 6ixStringJack:
I'll bet old Robbie was just jacking off and fawning over all the trash your people have put into the theaters the last 12 years though, right?

--------------------------------------------------

Be Evil. Be a dick.

You are wrong about Robbie. Robbie Collin has been a film critic for 20 years, during which time his reviews have seen him temporarily blacklisted by two major studios, dressed down in front of a Bafta committee, and thrown off a yacht. Perhaps the massive entertainment corporations were angered by Robbie's reviews of their drek?

You can sample Robbie Collin's many movie reviews. For example, he loathed Avatar: Fire and Ash, giving it one star out of a possible five stars, describing it as like watching £300 million of glitter tipped into a fish tank. The mind-numbing third film in James Cameron’s mega-franchise proves he’s stuck in a creative cul-de-sac.
Robbie Collin
19 Dec 2025, 8:44am
https://www.telegraph.co.uk/authors/r/rk-ro/robbie-collin/page-2/

Another one-star review from Robbie is Tron: Ares, which is so bad it makes you wish AI would hurry up and destroy Hollywood. A shambolic film populated by some of the most aggressively charmless characters ever seen in a blockbuster.
Robbie Collin 10 Oct 2025, 2:42pm
Jared Leto plays Ares, a sort of Byronic philosopher-ninja

The Joss Whedon script for Serenity, where Wash lives, is Serenity-190pages.pdf at https://www.mediafire.com/two




If true, why the hell are you posting anything he said then? I'm surprised you even found anything by the guy with all the shit you fill your head with everyday.

--------------------------------------------------

Be Nice. Don't be a dick.

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Saturday, March 21, 2026 7:05 AM

Andy Weir Reveals What He Learned Between The Martian and Project Hail Mary Movie Adaptations (Exclusive)

"Movie theaters now really have to compete against the comfort of your couch," the author says

By Raven Brunner | Published on March 20, 2026 12:30PM EDT

https://people.com/andy-weir-on-what-he-learned-between-the-martian-an
d-project-hail-mary-movies-11930513


Andy Weir is an established writer, but he’s also spent a lot of time making movies.

The author, 53, has two movie adaptations under his belt. First there’s The Martian, a 2015 movie by Ridley Scott starring Matt Damon, based on his 2011 novel of the same name. And then there’s Project Hail Mary, based on his 2021 book, which stars Ryan Gosling and just hit theaters Friday, March 20.

When asked about what he’s learned in the 11 years that have passed, he says that the "whole industry has changed a lot."

"In a lot of ways, cinema is struggling because it used to be that the only way to get a cinematic experience was to go to the movies,” Weir says. But now, people can watch movies at home with equipment that mimics that movie-going experience, such as large screens and home theater systems.

"Movie theaters now really have to compete against the comfort of your couch," he says.

The Martian, also starring Jessica Chastain, Kristen Wiig and Jeff Daniels, grossed over $630 million at the box office worldwide. The movie about an astronaut's struggle to survive after being left behind in space while on a mission was a hit among critics, earning seven Oscar nominations, including Best Picture and Best Actor for Damon.

Weir currently has his sights set on the release of the Project Hail Mary movie adaptation. The flick, directed by Phil Lord and Christopher Miller, follows science teacher Ryland (Gosling) as he wakes up in space on a mission to save humanity. There, he meets a rock-like alien named Rocky and they form an unexpected friendship.

The script was written by Drew Goddard, who also adapted The Martian, with producing by Amy Pascal, Gosling, Lord, Miller and Weir.

Weir talks about how improved technology in movie theaters will have a special effect on viewers, saying, "There’s a sequence where Rocky and Ryland have to get a sample of Planet Adrian's atmosphere — that is a visual extravaganza."

"To be able to see that occupying your entire field of view in an IMAX theater or something like that is a very different experience than just watching it on your TV," he adds.

“It’s immersive, and that’s what cinema has left to offer,” Weir says.

The author says he played a crucial role in production as the "science guy" on set.

“My role was just constant fact-checking, both real facts and made-up facts. They would ask me detailed questions about astrophage, taumoeba and the Eridian biology, stuff like that,” he says, referring to the science presented in his book.

"It was like walking around all these huge sound stages with all these practical sets and looking at all the cool stuff and then being punctuated by random math problems, which for me is heaven," Weir continues.

Weir also worked one-on-one with Gosling to develop his character.

"I would meet with Ryan pretty much every morning and he would talk about like, ‘Okay, here are the scenes we're shooting today, what's Ryland thinking and feeling at this time? What is he going for?’ He was interested in my input which made me feel important," he says.

Sandra Hüller, James Ortiz and Lionel Boyce join Gosling in the cast.

The Joss Whedon script for Serenity, where Wash lives, is Serenity-190pages.pdf at https://www.mediafire.com/two

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