Blue Sun Room FICTION - DRAMA

ALBATROSS 5

Saturday, March 6, 2010

River Tam's diary at the Academy. Part 5: things start to shift. Ongoing. For those who want to start at the beginning, Part 1: http://www.fireflyfans.net/bluesun.aspx?bid=22568

CATEGORY: FICTION    TIMES READ: 3445    RATING: 10.0 (PG13)    SERIES: FIREFLY

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The entries remain unordered, as usual, from different periods of her time at the Academy. Questions, comments, guesses appreciated. Have at it.

[Joss is boss, River is not mine, etc. ad nauseum, ad infinitum...] Thanks to Bytemite for the beta.

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ENTRY #????

Is this the promised end?

Or image of that horror?

Where does the reflection stop and the feline grin begin?

I know when one is dead and when one lives. She's as dead as earth. Lend me a looking glass! If that her breath will mist or stain the stone, why, then she yet lives. [Stain the stone with breath warmed by flowing blood. Earth-that-was may have had words for this].

But you, black dog, hang your head over and howl! Lear, the great black dog in the night, leering at us to turn back. We don’t want to see what this way is coming.

For they are men of stone, still statues in a garden, and their eyes stopped seeing long ago. Had I your tongues and eyes, I'd use them so that heaven's vault should crack. She's gone forever, down the cracks in the glass, and seven times seven years bad luck, culminating in this instantaneous, eminently fundable research before your eyes. Cool, cool pain just like fire. Seven, seven against Thebes sprinkling earth on bodies they are not supposed to see. All blood and no welcome for such heroes, because their business is turning quick dust to dead dust. A hero's welcome is a proper burial. We just don't realize it.

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ENTRY #????

It’s safer to break them the old fashioned way. The mind must be put through an unendurable trauma, which must be then prolonged until the subject gives up any hope of keeping itself. This is my only guess.

Like crucifixion over three weeks, pounding the nails in one hammer stroke at a time. Taking a smoke break between. If they still smoke—poisoning themselves because they hate where and what and how they are. [They hate themselves too, my bro

Comments
Saturday, 06 March 2010 05:16
This one is very dense, but very with the making-sense. Perhaps I should also do a "commentary" by some Alliance researcher grunt to clarify these? People seem eager to read but afraid to comment.

It also contains one of my least favorite and most favorite entries of the entire series. :)
Sunday, 07 March 2010 16:45
Antigone! I don't remember having seen that reference the last time I read this chapter.

Maybe I might try to analyze the "breaking the mother" theme you told me to look for in this context. Antigone disagrees with the morality of the law of the state, and is sentenced to be buried alive. The king has a fight with his son over this decision of absolute state dominance over the laws of the gods and not even considering family, and the son leaves. The wife of the king eventually kills herself. The King is punished through karmic justice, all for being so ruthless in his approach to upholding order.

So the chess game is a metaphor for the situation she's found herself in+
Monday, 08 March 2010 23:07
Sad, when they let her dance, what little joy she has is there's also despair, and I suspect that when she's dancing here that's really the martial arts they're teaching her.

Ooh, I noticed a reference to the mannequin short story in the last part. Poor River. I think she doesn't want to grow up into what THEY want her to be.
Friday, 12 March 2010 05:27
Just when you thought you were done with the high school classic forever...there it is again! Antigone--timeless themes, running straight from BC Greece...ack. I had to do it. Convenient little summary, there, it looks familiar.:D

I'd just leave the "mother" theme alone for now Byte, "breaking the mother" is misleading.

Yes, she Is in a chess game now--symbolically(aliasse should be happy).
Friday, 12 March 2010 05:31
Yes, I thought dancing was a theme with her--it's something she cannot "have" anymore, in it's more lighthearted form. Either it reminds her of home or is rerouted into a martial art.

Yes, the mannequin reference is indeed there, but more of a dress reference--they're combined anyway.

River is not just concerned with THEM in relation to the dresses.

What do you think her attitude is toward the dresses themselves, not just THEM?
Wednesday, 24 March 2010 11:14
Better late than never, I hope. I was reading the last chapter as though dresses were students, but this one as though they are the uses, purposes, identities, selves that the researchers and their programme want to force upon their subjects.

I find this hard to read, it is so tragic. The suffering, and the desperation to communicate that suffering. What else is she trying to communicate though? Information? It is so tragic that I wish this was some kind of testimony that could be used against the people (not people - statues, mirrors) who are doing this to her.

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