Inara has known some devils in her time. Men who abused their power, profited off the war, had killed without remorse. She has known them in ways few others – possibly even their wives – ever had.
They are familiar to her. She knows how to talk to them, how to handle their egos, how to make them feel as though they are not the monsters others make them to be. Perhaps even the monsters they actually are, now that she knows the truth of Miranda.
Men of that ilk she understands. She knows what motivates them and what drives them. Has learned how to use that motivation and that drive to her benefit. Smile, pour tea, make graceful small talk until he is ready. And once that moment arrives, make him feel magnificent. Make him feel every bit as powerful and strong as he believes himself to be.
Even if, in fact, you spend those two minutes staring at the ceiling, thinking, “Beige. I think I shall have the ceiling painted beige.”
Inara has spent much of her professional life contemplating the color beige.
These are the devils she knows.
Malcolm Reynolds, on the other hand, while most assuredly devilish, is the sort with which she has no experience.
He has little interest in power. Wealth captures his attention only insofar as it allows him to keep flying, rather than as an end unto itself. Furthermore, he believes himself a monster when he is nothing of the kind.
The things she knows, the skills she has practiced to perfection, all are dismissed with a wave of his hand or a thinning of his lips. “Got no need for wiles and games,” he tells her.
She wonders if that is all her life has been to this point. Wiles and games. Chess moves on a board. Check and mate.
It has come to this. This place where what she has learned matters less than what she wants of him. What he wants of her.
“What do you have a need for, Mal?”
He hesitates. A lifetime of not showing his hand plays across his face.
“You, Inara. Not yer trainin' or your skills. Just you.”
Mal is most assuredly the devil she
But oh well. I suppose this is truer to your original intention?
I do so dislike unintentional ambiguity.
;D
Have to say, as a romantic M/I shipper, the tweaked ending scores all kinds of points with me. I do have to note that the first version was powerful in its own right, but this one is clearer when it comes to conveying Inara's desire to learn about Mal's kind of "devil."
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