Inara has known some devils in her time. Men who abused their power, profited off the war, had killed without remorse. She has known them in ways few others – possibly even their wives – ever had.
They are familiar to her. She knows how to talk to them, how to handle their egos, how to make them feel as though they are not the monsters others make them to be. Perhaps even the monsters they actually are, now that she knows the truth of Miranda.
Men of that ilk she understands. She knows what motivates them and what drives them. Has learned how to use that motivation and that drive to her benefit. Smile, pour tea, make graceful small talk until he is ready. And once that moment arrives, make him feel magnificent. Make him feel every bit as powerful and strong as he believes himself to be.
Even if, in fact, you spend those two minutes staring at the ceiling, thinking, “Beige. I think I shall have the ceiling painted beige.”
Inara has spent much of her professional life contemplating the color beige.
These are the devils she knows.
Malcolm Reynolds, on the other hand, while most assuredly devilish, is the sort with which she has no experience.
He has little interest in power. Wealth captures his attention only insofar as it allows him to keep flying, rather than as an end unto itself. Furthermore, he believes himself a monster when he is nothing of the kind.
The things she knows, the skills she has practiced to perfection, all are dismissed with a wave of his hand or a thinning of his lips. “Got no need for wiles and games,” he tells her.
She wonders if that is all her life has been to this point. Wiles and games. Chess moves on a board. Check and mate.
It has come to this. This place where what she has learned matters less than what she wants of him. What he wants of her.
“What do you have a need for, Mal?”
He hesitates. A lifetime of not showing his hand plays across his face.
“You, Inara. Not yer trainin' or your skills. Just you.”
Mal is most assuredly the devil she
The last line is oh so sad, too, because with just one sentence you tell us that something so special for Mal is everyday ho-hum insignificant drudgery for Inara. But it is a pretty line, too, I'm a big fan of imagery, and it might also say something that she's pausing to find something beautiful about the moment.
Honestly don't know how I feel about Inara being all "Mal's the devil I don't know...doesn't want power and wealth is only as good as its ability to keep Serenity flying...and he's open about his desire to be with me." I guess I was all kinds of "yay!" until you had Inara ponder on what could to make the ceiling...guess its the reality of Inara not knowing how to decouple her brain from Companion mode while she's physically intimate kinda poking a whole in my romantic notions ;)
Dunno if you have anything planned...but maybe a sequel showing Mal's POV on this moment. Maybe's he is more aware of her thoughts than Inara thinks he is...and it's a motivation to make Inara familiar with this kind of Devil ;D
BEB
You can't take the sky from me
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