General Discussions

Step up to the microphone and ask JW your one question.

POSTED BY: pizmobeach
UPDATED: Monday, January 24, 2005 09:15
VIEWED: 12283
PAGE 3 of 6

Tuesday, January 18, 2005 11:57 PM


*zoid steps meekly up to microphone, taps it (SQUEEE!), and leans in very close*

Uh, Mr. Whedon... Do you need your car washed? ...or your garden gardened? ...or your lawn, um, lawndered?


v/r
-zed

P.S.
Sign in zoid's hands reads: "Will work for Firefly series bible"

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Wednesday, January 19, 2005 1:30 AM

"Wanna help us lynch the Fux executive board of directors right now ? I mean, we got torches, rope, tar, feathers and all already... you down?"

-F

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YT
Wednesday, January 19, 2005 11:09 AM

In the special features for the Firefly DVD, you said you had originally conceived the series with five central characters. Who were they? (I'm guessing Mal, Inara, Wash, Kaylee & Zoe. Then again, maybe the original five weren't exactly five of the eventual nine, but were modified for the larger canvas.)

Keep the Shiny Side Up

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Wednesday, January 19, 2005 11:15 AM

Huh...Swo...Wha...?

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Wednesday, January 19, 2005 11:45 AM

Quote:


SGTGUMP - Yours was not so much a "question" as an "odd statement thingy." But nonetheless, you've recalled one very powerful scene that I'm sure JW will respond to once he's choked back the tearful memory...




I believe SgtGump was making a clever reference to a very funny SNL sketch in which Chris Farley gets to interview stars by whom he's clearly awed:

http://snltranscripts.jt.org/92/92mfarley.phtml

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Wednesday, January 19, 2005 1:03 PM


Saffy:

I can't speak for pizmobeach, but I caught sgtgump's reference, being a Farley fan myself. In the skits, Farley winds up calling himself 'stupid!', pounding his forehead and pulling his hair, while the shocked interviewee tries to calm him. I think the stars' reaction to this character was a perfect reflection of the viewers' response to the big, lovable lummox who portrayed him: People instinctively liked Chris, and didn't want him to hurt himself doing crazy stunts. How sad, he had to leave us so soon.

I have often thought Loren Michaels selects comedians whom he thinks are on the road to destruction, so that their deaths may ensure his success. He's in league with the Devil. (Yes, he's a bowler.) The question is: Who's next?

BTW, I love your byline. It's my favorite line from YoSafBridge, and it's delivered so subtly (a non sequitur) that I missed it the first viewing or two...


v/r,
-zed

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Wednesday, January 19, 2005 2:49 PM

"rifles through drawer in infirmary... searches desperately... pulls out huge, nasty looking syringe and... injects it into heart..."

Watching Firefly has made me more curious about the mechanics of TV and television writing. In the book “Successful Television Writing” by Lee Goldberg and William Rabkin, they say some interesting, perhaps slightly sensational things about writing teleplays:

“If you’re going to write for TV forget the show’s bible (a guide created by the producers to help writers with dos and don’ts) all you need to do is study the opening title sequence - everything you need to know about the show and the characters is in there.”
Do you find that to be true with Firefly? Was that your take in creating the opening?

Was there a writer’s bible for Firefly and who do we have to sleep with... wait, and will we ever get to see it? Goldberg and Rabkin included a number of bible’s in their book so I couldn’t help but wonder...

They also say that story is not as important as character - that what viewers come back for is to watch characters not to watch the story. Is that a sentiment you share to any degree?

How long was it from the time you had the idea for FF to the time it was green lighted?

How many scripts were commissioned originally?

I think I know the answer to this one but sometimes asking is therapeutic: Many of us have read the unfilmed DOA script and taken it to our hearts as another FF episode ( a very good one), any chance other unfilmed scripts might surface? If not, is that from a legal, maybe WGA standpoint or because of possible future use - yeah I know! That’s a pretty lame stab at, “Firefly’s coming back!” and all I can say is, “I don’t care!”

Was FF a hard show to write for (relatively speaking)?

It seems unusual for 2 “villains” (Niska and Saffron) to be brought back in such a short period (14 shows) was there a special reason for that?

How did you connect with Zoic Studios?

Having written Firefly for both TV and Film, did you find it better suited to one medium over the other?

(And forgive me if any or all of these have been asked and answered already, repeatedly!)

I'd like to be king of all Londinum and wear a shiny hat.

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Wednesday, January 19, 2005 2:58 PM

My question would be this:

"If the BDM is the success we all believe it will be, is there any chance for a revival of the series on television?"

We have all heard bits and pieces of the contract w/ Fox and a stipulation of no return to television for "X" number of years, but we also know that there is no such thing as never in Hollywood if there is money or ratings at stake. Contracts were made to be broken or renegotiated and lawyers are plentiful enough.

__________________________________________

"May have been the losing side. Still not convinced it was the wrong one."

Richmond, VA & surrounding area Firefly Meet Up:
http://firefly.meetup.com/9/boards/

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Wednesday, January 19, 2005 3:22 PM

Quote:

Originally posted by Malicious:
And why why WHY did Wes have to die die die??


Mr. Whedon, Sir? How dead is Wesley? Can't he get better?

And soon....Please?

(I still have a theory that Wesley's controlling Father will raise him from the dead *wrong*, of course, and he'll start rampaging, naturally, and finally Willow will fix him...so that he is 'better': alive and not so evil...)
just my own fantasy....

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Wednesday, January 19, 2005 3:28 PM

Quote:

Originally posted by BrownCoat1:
My question would be this:

"If the BDM is the success we all believe it will be, is there any chance for a revival of the series on television?"

We have all heard bits and pieces of the contract w/ Fox and a stipulation of no return to television for "X" number of years, but we also know that there is no such thing as never in Hollywood if there is money or ratings at stake. Contracts were made to be broken or renegotiated and lawyers are plentiful enough.



Bingo - the bazillion dollar question, and well asked Browncoat1... I for one am hoping for an answer that is not like one given to a journalist who's job this week is to find out about "some sci-fi show"... I'm just saying...

I'd like to be king of all Londinum and wear a shiny hat.

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