V for Vendetta (Spoilers) Film and Politics Discussion
POSTED BY: AnthonyT
UPDATED: Thursday, April 6, 2006 02:19
VIEWED: 2330
PAGE 1 of 1
V for Vendetta
In the original comics, V was purely an anarchist and the government was purely totalitarian. It was left up to the viewer to decide who was right, if anyone.
One of the reasons Moore distanced himself from the film is because it takes away much of the ambiguity, making V a good-guy freedom fighter.
Based on those facts, it's no coincidence that the film has an anti-establishment feel aimed right at the current U.S. government. It was re-engineered to that purpose. (Quite effectively, I thought.)
So, that having been established... What did you all think of the film? What did you all think of its message?
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REALISM:
I found V's resources improbable. Forget his lair and personal equipment. None of it was over-the-top. But how could he possibly produce and distribute tens of thousands of masks? They weren't paper masks printed at home. They may not have been bulletproof, but they were high quality reproductions. Were they plastic? If so, what factory did he manufacture them at? Were they ceramic? If so, are we to believe that he had an unseen kiln at home and spent the past ten years baking masks and painting them? And where did he get the money needed to have them mailed to all these people? And didn't anyone think it was odd that this guy walks into a DHL office and ships 50,000 packages?)
I also thought the 'fireworks' which accompanied the building demolitions were fanciful. You can't load fireworks into a subway car and expect them to go off properly after a ton of fertilizer goes off and tons of building material collapses on them.
MESSAGE:
I enjoyed the re-vamped message of the film, even though Moore didn't. I can easily see a future where our government becomes too controlling, and some citizens feel the need to perform 'acts of terror' in protest, and in the hopes of sparking rebellion. It is only too true that people, in general, are happy to trade their freedoms for a sense of safety. The problem is, if you trade away your freedoms, and then decide that you wish you hadn't, it's probably too late to do anything about it. In real-life, I don't think a rebellion would be successful. There'd be a handful of WACO style crackdowns and that would be it.
The movie hinted an echo at various 9-11 conspiracy theories that suggest the government engineered the Sept 11th attacks in order to get their way with the people, complete with demolitions devices in the Twin Towers, fake phone calls from passengers on a 747, and missiles hitting the Pentagon instead of a jetliner. (In the movie, the government engineered a virus outbreak to corral the people.) While intriguing, I don't believe such theories. I do believe that the government was well poised to take advantage of the opportunity that Sept 11th presented. I just don't believe they would need to go through all that trouble faking things when real terrorists and jetliners are readily available, and more than sufficient for the job.
I'm glad to see movies like this one. It makes me feel we're not too far gone, and that maybe we won't be. As long as I continue to see anti-establishment films like this one, I'll feel a measure of comfort. It's when they stop appearing that I'll get really nervous.
--Anthony
"Liberty must not be purchased at the cost of Humanity." --Captain Robert Henner
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Quote:
Kevin Smith: Well, you don't have to have them come out and say it. Look at their body of works. Look what they're doing. What did Joss Whedon's Serenity and Firefly series tell you? What are they trying to tell you through their craft?
Alex Jones: What does V For Vendetta say?
Kevin Smith: Even better. I just saw it last week. I left V For Vendetta walking on a cloud. I say, we're gonna win!
Alex Jones: Let me tell ya what's happening. I can't get into details. But major Hollywood people are being pressured Big Time to SHUT UP. If I could only tell you folks. I then confirmed from a prominent 9/11 leader, that one of the biggest musicians in the world, one of the most loved, is very close to going public. It's so close. And they're watching to see what happens with Charlie Sheen, who hit the barbed wire for us. But again, CNN wouldn't have Ed Asner on last night. They were gonna have him, then they cancelled him. They cancelled because they cannot deal with it.
Infowars Radio, March 29, 2006
www.infowars.com/articles/sept11/asner_on_cnn.htm
www.infowars.com/video/clips/news/september_11/032406_showbiz_tonight_
guests_wm.htm
www.fireflyfans.net/thread.asp?b=18&t=19100
Jewish V For Vendetta movie glorifies terrorism by Bush Crime Family.
Gunpowder Plot to bomb British Parliament was exactly 400 years ago, perped by Constable Thomas Percy, ancester of Barbara Pierce Bush, mother of George Bush Jr.
http://tv.groups.yahoo.com/group/piratenewsrss/message/174
VIDEO DOWNLOADS:
http://vforvendetta.warnerbros.com
(Includes Hangman game to test your knowledge of history of totalitarian dictatorships, and full history of Gunpowder Plot of 1605)
"You can't stop the signal!"
-Mr Universe, Pirate TV
FIREFLY SERENITY PILOT MUSIC VIDEO (VERSION 2)
Tangerine Dream - Thief Soundtrack: Confrontation
http://radio.indymedia.org/news/2006/03/8912.php
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An interesting analysis from Chud.com:
V FOR VENDETTA IS THE MOST DANGEROUS FILM OF THE YEAR
02.26.06
By Devin Faraci
V For Vendetta is the most dangerous film of 2006.
If you’re an idiot or a fascist, that is. Remember that when people begin complaining about this film, and try to figure out which of the two categories they fit in. Or maybe they’ll fit in both!
I cannot bring you a review of this film, since my name is not Harry Knowles or Drew McWeeny and this site’s initials are not AICN (no hate to these fine fellas and their site, it just chafes when I walk out of a screening and get the “no reviews until release” reminder and know that the film has been already reviewed on other sites. That’s a whole different editorial, though!), so this is not my review of James McTeigue’s V For Vendetta, based on the graphic novel by Alan Moore and David Lloyd. Rather this is an editorial about this brilliant piece of work.
It’s shocking that a film like V For Vendetta, in which the hero can be described in no other terms but terrorist, has been made by a major movie studio, which is itself a part of a major, world-dominating corporation. Either the folks at Warner Bros and Time-Warner weren’t paying a lot of attention or they just don’t think that a movie will make any bit of difference at this point. I couldn’t disagree more, and I have to tell you that if I was still actively working as a political organizer I would be standing outside theaters showing V and handing out anti-Bush and anti-Iraq War pamphlets to exiting moviegoers. Sure, this film is about a fictional fascist state that denies its people basic liberties and makes them live in fear, and sure it’s set in the London of the future, but there’s no hiding the fact that the film’s timeline is one that begins today.
AICN’s Drew McWeeny wrote a piece about the film where he said that the right-wingers who are already bristling about the movie (and feel free to check out some of these goose-steppers over at the Libertas forum, where they hurl invective at a film they haven’t seen and say the main character looks “gay.” Hey, isn’t it interesting that the fascistic future rulers of England corralled and exterminated gays in the film?) should check themselves – the movie is anti-fascism, and not taking on a particular current American ideology. He’s right. Sort of. But it’s no accident, no mistake, that the fascist government of this film is a conservative Christian one.
The Dead Kennedys wrote a very good song called California Uber Alles, about then-California governor Jerry Brown and his aggressively liberal policies. The song is funny. A few years later the band remade the song to be about former California governor Ronald Reagan. It wasn’t really so funny anymore. The Smiley Faced, be happy or else fascism of the original song is satire while the remake is stark reality. As much fun as it is to muse about a liberal fascist state, the realities are two-fold: one, there is no serious liberal political presence in this nation. The Democrats, while putatively liberal, are at best middle of the road, and more accurately right of center. Two, it isn’t self-identified liberals keeping men in cages without the due process of law.
The film is being very specific – the policies that we are pursuing have one end-point, and that is a society where our basic freedoms are curbed for supposed security and comfortable routine. We see it now – the right to privacy is under astonishing attack, and the only thing more worrying than how much our government wants to listen in on our conversations and know what books we check out of the library is how little the people care. “I don’t have anything to hide,” is the refrain, a bit of sick logic that implies the person who wants privacy does have something dark to hide.
Of course there’s also a universality to this – while the specific circumstances that lead to the creation of the world in the film are undeniably rooted in the Bush Administration’s Orwellianly infinite war on terror, the suppression of rights for
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Everything he wrote was amazing. It was interesting, intelligent, and well-thought out. I sort of just sat here looking at my computer screen in awe.
Quote:
What the hell is terrorism anyway?
I don't think many people can answer that because obviously the answer will shift depending on a person's views, but I just wanted to say that National Geographic did an awesome article about terrorism. It was written sometime in the past year and basically talked about modern terrorism hot spots and the fact that terrorism/terrorists have always existed in one form or another throughout history and we've only recently become obsessed with them.
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I think V for Vendetta was a total cop-out politically. The chancellor was a two-dimentional Hitler copy so who wouldn't want to get behind V. They made him the people's revolutionary hero instead of an anarchist. Because of the films linear storytelling and narrow focus the ordinary people/citizens got lost in the telling, and other than V chiding them a little bit on TV - their complacency wasn't discussed at all really. Instead of making V someone who wants to make political change through violence and upheaving society as we know it (like an anarchist would, perhaps) they portrayed him as if he was merely trying to fend off this evil force that had taken a hold of the country. V was supposed to change the way people think, he was supposed to stand for something else, a different perspective not help the people replace one evil government with a supposed good one. I'm not an anarchist myself but that doesn't seem to ring true for the concept of anarchy.
V for Vendetta's only message seems to be: "Power to the people!" That's not a controversial movie, it's a crowd pleaser.
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"V for Vendetta's only message seems to be: "Power to the people!" That's not a controversial movie, it's a crowd pleaser."
You might be right. Strange, then, that so many political groups found "Power to the People!" to be such a distasteful message...
--Anthony
"Liberty must not be purchased at the cost of Humanity." --Captain Robert Henner
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Gravy does have a point - the movie was a crowd pleaser. I saw it yesterday and also left 'walking on a cloud' because wouldn't we all like to see everyone united and coming together against everything we don't like in our government? Of course, we never see the messy aftermath of rebuilding.
One part I enjoyed was where V blamed the people for letting their government happen. He understands why they did it, but nonetheless they are accountable. Makes me think of what the kiddies will say in twenty, thirty years.
Fruit's Oaty Bar! Is a person from the mouse! Fruit's Oaty Bar! Makes your bust from yours female shirt! Continuously eats them! Let them cause you to be surprised!
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Free as in freedom, not beer.
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Originally posted by Signym:
Will this post?
Maybe, who's post?
More insane ramblings by the people who brought you beeeer milkshakes!
No beast so fierce but knows some touch of pity. But I know none, and therefore am no beast.
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The problem I have with V is two-fold:
1) as an event, I can't see the movie sparking a real-life movement and,
2) the premise of its content - if people saw how many are disaffected they would feel the power of numbers and rise up - is probably not accurate.
And the reason for both is the same, which is the government has control of the media, and hence reality.
Look at the anti-war demonstrations in Europe. MILLIONS showed up all at the same time and in the same place. And - England still has Bliar and Italy still has Burlesqueoni. So what happened? People showed up, were heartened by the numbers, went back home and waited for ... they're still waiting.
The continuing issue, the next step, were muffled, smothered by the media, and have rotted while people still ... wait.
Unless you can gain a prominent continuing media presence, your cause might was well not exist.
And I did have trouble with the structure (there were two movies, an 'everyman' 1984 and 'the phantom of the opera' which did not fit together), the delivery (heavy handed), the plot (unbelievable), the pacing (slow), and even the soundtrack (too much dynammic range).
The ONE SCENE that (almost) redeemed the movie was the scene where the Chancellor says to make the people afraid and make them feel the government is the only thing they've got - followed by the scenes of the news playing on the Telly in homes, bars etc - just one disaster after another threat scattered near and far. Hmmm, just like home.
Nearly everything I know I learned by the grace of others.
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