The lack of sunrise or sunset should make day and night indistinguishable on board a ship travelling through space, but somehow it was apparent when night fell on Serenity. Once, on a small moon, they had been in a snowfall. Thick, heavy fat flakes of white drifted lazily down from the sky to land with a noiseless sound that defied a description. That sound of the lack of sound was present in the hold at night. In the hallways and common room, on the bridge and in the infirmary. It could be deafening, drowning and disquieting. But mostly, it made for a good time to think without feeling that you had to hide away in your bunk. To think and to try and understand the slow decay of the crew's erratic orbits. Serenity, the sun around which they all rotated, the home in which they all lived, and a mini-verse unto herself had somehow lost the tug she once had on them all. Inara and Mal spent more and more time dissapearing on to any planet they happened to be nearby. Land madness, surely. It was hard to pinpoint why. Often they could be seen standing stock still together, looking off in opposite directions instead of each other, their fingers intertwined. silent, like serenity at night.
River kept mostly to the bridge, laconicly discussing the next reaver hunt. The ability to focus the wild stripped part of her mind soley on the locating and destruction of the canibalistic humanoid interstellar dwellars made her almost normal. But better than that, she reckoned, better because I am better. I can talk not nonsense, I can work, I can do for others, I have a place. I have a value and a calling. She gripped her favourite weapon, a long cruel and thick dagger she took off a particularly vicious reaver pack leader. It's handle was surely covered with the tanned hide of babies, repulsively soft and queasily good feeling to her hand. She wondered if that baby's parents had lived long enought to see it's demise. She hoped not. But she never re-covered it with cow's hide. It seemed dishonest somehow, l
You can't take the sky from me
Here, the sun is setting on a firefly. Your descriptions tie in to character's stories and are accuarate and visual. But I feel no intensity, no hope, bleak fractured future. I just don't want that perspective with Serenity.
It is hard to read, how to keep the characters seperate yet joined, but not overly long and hard on the eyes?
First, the anesthetic.
You have some really lovely imagery here. The snow analogy in the first paragraph set the tone very well.
I could really imagine the conversation between Kaylee and Simon, and between Zoe and River as well.
Perhaps you could give us this dialogue in real-time, as though we're flies on the wall, or seeing through Serenity's walls.
I like the direction Simon & Kaylee are going in- their real differences coming between them at last. And the idea of Jayne turned law-enforcement trainer was excellent.
*now the hard part*
I hate this line. "That sound of the lack of sound was present in the hold at night." It's chunky. It says what you want it to say, but it makes the reader go back and reread to make sure it says what we think it says. Simplify it, tighten it. Perhaps addendum it to the beginning of the next line?
"No one else suspected the grisly origins of her weapon, but Zoe had some ideas" By this, do you mean they didn't realize it was a Reaver weapon? Or that the skin was from a baby?
I LIKED the honesty line, here, though. I could relate to that emotion.
"her crew nearly at the point of dissolution" - I don't think you need to state this. You've SHOWN us, so clearly that it's all about to unravel. Perhaps another analogy here, or something more subtle.
Very well done for a first draft! I'm anticipating reading the final project!
As to your problem of keeping your characters seperate but joined.
Break up your paragraphs as suggested and put a small line between each lot of characters.
**********
It might make for easier reading.
thank you for the scalpel work, and the formatting suggestions B.A.and S.E., The clunky format right now hides the clunky phrasing, as the former is the more annoying problem. the sounds of the ship, the ambient levels are something i'm trying to carry thru the whole story. the snow drift/crew drift is not carried well. perhaps it should be ditched.
The lack of active dialogue- i was hoping i might be able to pull that off so as to make the whole goodbye seem passive- it was no one's "fault", just a natural progression, like leaving that great apartment you had with all those colleges roomies after everyone graduated and got jobs. needs work.
jettison!
perhaps serenity is 'reading' the crew like river on the payroll job...
next step is a reformat- and then strippage.
the blade is reaver origin, i think that can be taken as obvious, but the baby connection, i'd like to spin that out- river can 'read' the blade? she feels she'll never be suitable as a mother? substitutionary maternity?
I need people to grow, I need them to change, I need them to learn and explore, you know, and die and do all of the things that people do in real life.
inara and mal together, it's just inara and mal together, finally at rest...
maybe....
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