Ballad of Serenity (explantions in a second document to follow)
As played by Joss Whedon (supposedly) at the end of the movie
(transcribed by Kate Kirk)
N/C
--------
--------
--------
--------
--0-30--
03----3-
h p
1+2 3+4
Am G D(F# bass) Am Em rest
----0--0 -------- ------0- -------- ----
-------- -3--3--3 -3--3--- 3-1-0--- ----
-------- -------- ---2---- ----0--- ----
--2---2- --0---0- --0----- ----2--- ----
0---0--- -------- -------- 0---2--- ----
-------- 3---3--- 2---2--- ----0--- ----
1+2+3+4+ 1+2+3+4+ 1+2+3+4+ 1 2 3+4+
C G D(F# bass) A Em rest
-------- 0------- -----0-- -------- --------
1----1-- --3-3--- 3------- 3-2-0--- --------
---0---- -------- ---2---- ----0--- --------
--2---2- --0---0- --0---0- ----2--- --------
3---3--- -------- -------- 0---2--- --------
-------- 3---3--- 2---2--- ----0--- --------
1+2+3+4+ 1+2+3+4+ 1+2+3+4+ 1+2+3+4+ 1+2+3+4+
Am G D(F# bass) Am Em rest
0----0-- 0------- -----0-- -------- ----
---1---1 --3-3--- 3------- 3-1-0--- ----
-------- -------- ---2---- ----0--- ----
--2---2- --0---0- --0---0- ----2--- ----
0---0--- -------- -------- 0---2--- ----
-------- 3---3--- 2---2--- ----0--- ----
1+2+3+4+ 1+2+3+4+ 1+2+3+4+ 1 2 3+4+
C G D(F# bass) A Em rest
-------- 0------- -----0-- -------- --------
01---1-- --3-3--- 3------- 3-2-0--- --------
---0---0 -------- ---2---- ----0--- --------
--2---2- --0---0- --0---0- ----2--- --------
3---3--- -------- -------- 0---2--- --------
-------- 2---2--- 3---3--- ----0--- --------
h
1+2+3+4+ 1+2+3+4+ 1+2+3+4+ 1+2+3+4+ 1+2+3+4+
C G D
-----0-- 30---0-- --3----- --3-30-- -----0-- 02-0---0 let ring
1------1 ---1---1 -----01- 0------- --3----3 -----3--
---0---- -------- -------- -------- --2---2- --2---2-
--2---2- --2---2- --0---0- --0---0- 0---0--- 0---0---
3---3--- 3---3--- -------- -------- -------- --------
-------- -------- 3---3--- 3---3--- -------- --------
p p h
1+2+3+4+
here are the explanatory notes. They would have all been posted together, but I couldn't get it to post.
Notes to tablature of Ballad of Serenity
As played by Joss Whedon (supposedly) at the end of the movie (transcribed by Kate Kirk)
ABOUT MAIN PART -- This song is basically the melody played over an alternating bass. Nonetheless, to me, this song is based upon this classic pattern: (if this is too basic for you, sorry, just ignore)
This first diagram is FINGER NUMBERS!!)
2----2--
---1---1
--------
--t---t-
--------
T---T---
1+2+3+4+
Notice there is nothing on the "and" of 1. Thumb and second finger played together on one, leaving nothing for the "and." Then, in the second half. the Thumb is on 3 and the second finger is on the the "and" That's the only difference notice that the two halves are somewhat symmetrical. (Big T is the ROOT of the chord (i.e., G for G, D for D, A for Am -- these notes are already there somewhere if you just put the chord down, G is on the 6th string, C on the 5th string, A for Am on the 5th string -- and little t is an alternate note also played in the chord.)
YES, I KNOW, TOO SIMPLE -- (sorry)
Some old examples of this pattern that are very clear that you can hear -- Helplessly Hoping by Crosby Stills and Nash, and Dust in the Wind by Kansas
Based on this pattern, then, extra notes, when they fall will fall within this pattern. Also, the 1st and 2d fingers shift from string to string, but the pattern of the fingers continues.
Another little pattern that also happens in this song is:
(This second diagram is also FINGER NUMBERS!!)
-----2--
--1----1
--------
--t---t-
--------
T---T---
1+2+3+4+
Now there is nothing on either the "and" of one or the "and" of two. Notice that the second half of this second pattern is the same as the second half of the first pattern. An old example of this pattern occurs in about every other measure of the original studio version of "Kathy's Song" by Simon and Garfunkel.
Actually, it’s a matter of getting so you can play the little melody against the bass notes and then the pattern(s) just sort of emerge when you try to add frills. Note that the first time through the main part it’s more bare, fewer notes. Then, the second time, more notes -- it is building up. Third time through, after the middle part, it really builds up because a dobro or other type of slide guitar comes in over the middle part. At that point I can't hear it well enough to really tab it out, so I just hit the high points that last time through.
If you can't play D with the F# on the bottom, you need to learn. Play it with your middle finger 2nd fret 6th (top) string, ring finger 2nd fret 3rd (G) string, and pinky finger on the 3rd fret of the 2d string. Really, if you like this style of guitar and you can't do this, you should work on this. Leave your 1st finger free. It will have other interesting things to do, although not on this song. (Also see in the middle part discussion -- how to play G in this song -- also with 2d 3d and 4th fingers only.)
NOTE ABOUT MIDDLE PART. (previously posted on a website, sorry if you saw this before or if it reads repetitively. Also, the tab is slightly different in the second measure of D because I didn’t properly write down what I was playing when I tabbed it out the first time. I have looked at this over and over, but there are probably mistakes anyway!)
First measure of C is simply the first pattern I talked about. For the second measure of C, thumb and second finger played together on one as they normally do in this pattern, and in the space of the "and" of one, the little finger which has been placed on the first string third fret then pulls off to get the E open note. But the RH fingers STILL MOVE IN THE EXACT SAME PATTERN
Now for the G. I'm not sure about the second measure since the dobro/slide lick covers up the end of it and this is not the best recording in th
Bugger. Looks like a lot of work though! Cool.
Kate
So who the heck are you, Anon? I mean, do you have an e-mail?
go here
http://browncoats.serenitymovie.com/serenity/index.html?fuseaction=forum.viewtopic&t=25406
because browncoats actually lets you edit your old posts. I was able to fix it, I can't do it here.
What it is, is in the fourth line (not counting the intro), I reversed what the two bass notes should have been for the D and the G chords, Actually, it;s pretty obvious, but I missed it
remember paste into Courier 12
C G D(F# bass) A Em rest
-------- 0------- -----0-- -------- --------
01---1-- --3-3--- 3------- 3-2-0--- --------
---0---0 -------- ---2---- ----0--- --------
--2---2- --0---0- --0---0- ----2--- --------
3---3--- -------- -------- 0---2--- --------
-------- 3---3--- 2---2--- ----0--- --------
h
1+2+3+4+ 1+2+3+4+ 1+2+3+4+ 1+2+3+4+ 1+2+3+4+
As I said to the WONDERFUL person that caught my mistake, I am SUCH a lousy proofreader. English or music, either language. And I'm sure I'd be bad in Chinese as well, but of course, I don't know any Chinese . . .
Kate
I've been playing guitar on and off for a couple years; I was actually inspired by Joss Whedon when I read about his work in the Buffy musical and when I saw Christian Kane's "LA Song" performance on Angel. (if you haven't heard/seen it, definitely check it out)
I'm a recent Firefly fan--my sister passed her DVDs on to me and listed off the Buffy/Angel characters that star in Firefly. It's great seeing these minor Buffy bad guys come to life in the Firefly verse.
But yeah, if you could send me those MP3s that'd be awesome. My email is muskido at gmail dot com. Thanks tons.
Also, you will note that this version sometimes has an A and sometimes an Am, while (if you listen to the TV show theme) the equivalent "D" is actually not really a D or a Dm, it has no third, so you can't tell if it is D or Dm. That's one of the things that gives it the droning tone. But this version, to give it the indeterminate can't decide if it's major or minor sound instead alternates between actually playing a an Am and then playing an A
Go ahead and rent the movie and listen to this version. It's really great. You have to sit through all the credits though.
Kate
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