Gone gone. Everyone eventually left and was gone. Gone gone. Even River had gone away for a while. Yes, indubitably. Now Inara too had gone gone. She didn’t agree at all with the so-called logic Inara had used to justify her leaving. Not at all. Emotions too strong for words or thought or action. Distrust. Trust. Love. Lust. All filled the air like expensive perfumes. Lingering, never quite dissipating. Diffusing all throughout the ship. Diffusion: the movement of molecules from an area of high concentration to one of lower concentration to achieve equilibrium. She can still feel tingles along her skin whenever she stands in that place on the catwalk where Inara had told Mal she was leaving, like a hundred little ants running up and down her arms giving her goose bumps. Or maybe more like . . . Gone gone, everyone gone. Never apart yet always alone. He would never leave her. Her champion, her big brother. But no, that was neither true nor logical. He would eventually want to move on with his life. She knew, she knew. Eventually he would wise up and stop being such a boob when it came to Kaylee. The Captain hadn’t wised up. Inara hadn’t wised up, she just left. Gone gone. Outside emotions buffet her from every side. Anger. Pain. Sorrow. Shame. She closes herself off to them before they overwhelm her further. That’s how the others feel about Inara leaving. How did she feel? She isn’t usually one to self-psychoanalyze but she pauses a moment to think. She finds sadness in herself and hurt. But she also finds hope. Hope. What an odd emotion. So fragile yet nearly indestructible. Gone gone, hope was not gone. And she is not the only one who feels hope. Everyone has it buried somewhere. The Captain’s a bit more deeply buried than any of the others’. She should really have a talk with him.
She stands from her position in a nook of lounge and heads for the cargo bay knowing exactly where to find him.
You can't take the sky from me
S.Grey
I, too, favor the "Gone gone" sentiment in this brief from your manuscript. I believe it might be improved upon with a bit of punctuation here and throughout the entire segment. You might consider, "Gone...gone..." or "Gone, gone..." or "Gone, gone." Since this excerpt literally addresses what is occuring inside of River's mind--her thinking/cognitive processes--the terminology is extremely appropriate and well-drawn. Most folks don't deliberate in entire sentences in their minds, but rather think in excerpts or repeated words that apply to their state of being.
Knowing this is a draft, one might presume that your segment is laid out without consideration of paragraph or punctuation. In case this is how you would like to keep it in its final form, I believe it would be better separated into two or three paragraphs. In its present form, it is rather a run-on paragraph.
Punctuation is important for the reader, even though the brief is a connotation of River's inner-thinking.
Toward the end when you address what others are thinking of Inara's leaving, it's not quite clear as to whether the brief has switched from 1st person to 3rd person--is River 'thinking' about what Inara is thinking? Or have you switched to 3rd person and are addressing, as the writer, Inara's feelings over leaving?
All in all, I think you have a great deal of talent. Your potential is very good. I would definitely love reading a book that you have written. It's obvious that you have put a great deal of thought into the inner-workings of another's mind, and I believe you have absolutely succeeded in imparting this fabulously to the reader.
I shall be looking you up to read more of your interesting literature! Keep up the wonderful work! Many blessings to you and yours,
Magee
Phaedra
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